《从今天到明天》已完结在线观看 - 喜剧片

从今天到明天简介

导演:达尼埃尔·于伊耶,让-马里·斯特劳布

上映年份:1997

地区:法国

更新状态:已完结

《从今天到明天》剧情简介

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

相关标签:从今天到明天在线观看,从今天到明天完整版,从今天到明天喜剧片,法国喜剧片,1997喜剧片

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从今天到明天

喜剧 音乐 法国 1997 

主演:

导演:达尼埃尔·于伊耶,让-马里·斯特劳布

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《从今天到明天》常见问题

1. 《从今天到明天》什么时候上映的?
《从今天到明天》于1997年上映,是一部法国的喜剧片。
2. 《从今天到明天》主要讲了什么故事?
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a n
4. 《从今天到明天》的导演是谁?
《从今天到明天》由达尼埃尔·于伊耶,让-马里·斯特劳布导演执导。
5. 在哪里可以观看《从今天到明天》?
您可以在星辰影视免费观看《从今天到明天》,我们提供多个播放源供您选择。
6. 《从今天到明天》属于什么类型?
《从今天到明天》是一部喜剧,音乐类型的喜剧片。
7. 《从今天到明天》更新情况如何?
目前《从今天到明天》的更新状态是:已完结。

剧情介绍

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

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